Showing posts with label Image. Show all posts
Showing posts with label Image. Show all posts

Thursday, November 8, 2007

Forbidden Pictures - More Images





The whole set of images can be seen HERE

Also, Conscientious has a bit on these with links to news reports LINK

Saturday, October 20, 2007



Since 1975, Nicholas Nixon has photographed his wife and her three sisters producing a single photograph each year featuring the sisters in the same order (youngest to oldest from left to right) though at various locations along the East Coast. From left to right we see Heather, Mimi, Bebe (Nixon’s wife), and Laurie as they change and grow from year to year in image after image. The Brown Sisters series functions as an ever-evolving portrait of the siblings and their relationship to one another over time.
Although best known for his ongoing portrait series of his wife and her sisters, Nicholas Nixon addresses many traditional themes of documentary photography – the family, the elderly, the ill – essentially pictures of people of all and any type. Using an 8-by-10-inch camera, Nixon captures the essential textures, tonalities, and expressions of the people he photographs. The father/daughter portrait Yazoo City, Mississippi is from a series Nixon made of people on their front porches.

Link

Friday, October 12, 2007

Nixon has said...


When photography went to the small camera and quick takes, it showed thinner and thinner slices of time, [unlike] early photography where time seemed non-changing. I like greater chunks, myself. Between 30 seconds and a thousandth of a second the difference is very large.

Link

Fink reflects on his work...


Some people mistake my work for satire. I don’t object because satire is a powerful force, so if the work is seen that way it serves one function. But I don’t agree. The pictures are taken in the spirit of finding myself in the other, or finding the other in myself. They are taken in the spirit of empathy. Emotional, physical, sensual empathy. This work is political, but not polemical. There is potential for the formation of an underlying theme in how the system suppresses and distorts both the rich and the poor, but it is not Marx who chooses the characters in this book; it is lust, attraction, and destiny.


Link